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News.
14th. May 2023. Rest In Peace Jack Goodwin (February 3, 1932 - May 13, 2023) Sadly, Jack Goodwin, the original creator of The Warne Marsh Information Site passed on May 13, 2023. Jack had a deep love and passion for Jazz. Particularly that of the Lennie Tristano school and Warne Marsh. Jack brought many fans and followers of this unique musical genre together over the years in the age of the internet. He was a true gentleman and truly a dedicated, passionate, and wonderful guy. He will be missed. From Jack’s daughter Karen: “Dad loved his music and he loved the people he was able to share it with. Warne Marsh was a large part of his life and remained so right to the end. His legacy would be a wish that everyone with whom he shared his passion will pass it on to those who have yet to discover it.” Our heartfelt condolences go out to Karen and Jack’s family. If anyone who knew Jack has any thoughts or remembrances they would like to share, please feel free to submit them for publication to the site. Rest In Peace Jack 28th. Nov 2022. Well wishes go out to Jack Goodwin, the original founder of the Warne Marsh Information Site who is currently recovering from the effects of a recent stroke. Jack has been a good friend to many readers of this site over the years and his hard work and dedication have been a tremendous asset and resource for many. Best wishes to Jack and his family during this challenging time. Get well soon Jack! 31st. Dec 2021. Rest In Peace Phil Schaap: April 06, 1951 - September 07, 2021 Phil Schaap, noted Jazz historian, broadcaster, educator and avid Jazz fan has passed. Phil was a native New Yorker who grew up in the hey day of Modern Jazz with numerous connections to the Jazz world from the age of five. Phil, most famously known for his in depth daily radio show dedicated to Charlie Parker, ’Bird Flight’ at Colombia University’s WKCR FM was a staple in New York City. He was a fan of Warne Marsh and of the Lennie Tristano school of Jazz. He also emcee’d on Warne’s performances at The West End Café, NYC in May of 1984 and hosted a marathon memorial broadcast honoring Warne after his untimely passing in December of 1987. Phil’s obituary in The New York Times can be found here.
31st. Dec 2021. Rest In Peace Peter Ind: 20 July 1928 - 20 August 2021 The great bassist, artist and author Peter Ind has passed. Peter was a key player within the Lennie Tristano school of Jazz in the 1950’s and was a frequent collaborator with Warne Marsh. He was also an artist and author having written a book on Lennie Tristano (Jazz Visions – Lennie Tristano and His Legacy, Equinox, 2007) Peter was also an active archivist having recorded many private sessions in his New York studios as well as various live gigs with Tristano school associates Warne Marsh, Lee Konitz, Sal Mosca, Ronnie Ball and others, a number of which were released on his independent label Wave Records. He also recorded other jazz artists in his New York studio and was owner and operator of the Bass Clef, opened in 1984 and a sister club, the Tenor Clef, opened in 1989. Peter’s obituary in JazzTimes can be found here.
23rd. Dec 2020. The following new entries have been submitted to the Warne Marsh Information Site Discography by Warne Marsh Information Site founder Jack Goodwin. We thank Jack for his contributions and he extends his well wishes to all. 75-1202 WARNE MARSH QUINTET. 'Jazzhus Montmartre', Copenhagen, Denmark, December 2, 1975. Lee Konitz, as; Warne Marsh, ts; Ole Kock Hansen, p; Niels-Henning Ørsted Pedersen, b; Alex Riel d. (with guest Allen Botschinsky sitting in on trumpet on all selections except 3) 75-1217 LEE KONITZ-WARNE MARSH QUINTET. Edinburgh, Scotland, December 17, 1975. Lee Konitz, as; Warne Marsh, ts; Dave Cliff, g; Peter Ind, b; Al Levitt, d. All of our readers and Warne Marsh enthusiasts throughout the world are encouraged to share their thoughts, memories, experiences, specific performance/recording information etc. for the record so that Warne’s legacy may continue to grow. All help and input to the site is much appreciated. 24th. Aug 2020. From Jack Goodwin, the original founder of the Warne Marsh Information Site: I'm sad to have to tell all Warne Marsh fans that my good friend Joop van der Leij passed away on August 14th. Joop was responsible for the layout of the Warne Marsh discography which appears on this site, converting my mass of Warne information into an intelligent layout easily accessible to anyone. Joop was also a very good 'on site' recordist and there are several recordings, commercially available, which were recorded by him at several Dutch jazz venues. Rest in peace Joop. Jack Goodwin 20th. Apr 2020. R.I.P. Lee Konitz October 13, 1927 - April 15, 2020 The great jazz alto saxophonist Lee Konitz has passed. Lee was one of Warne Marsh’s musical collaborators from the early recordings with Lennie Tristano and throughout Warne’s career. A monumental loss for the jazz world. 20th. Apr 2020. I’ve been in contact with Jack Goodwin, the original founder of the Warne Marsh Information Site who is very well and trying to stay safe during the current pandemic. Jack would love to hear from anyone he has known from his past activity on the site. His contact info is mailto:jg32@sky.com. Please feel free to drop him a line. 1st. Nov 2019. From bassist Don Messina: Cadence
Jazz Records
has released a
new CD (CJR1265)
"High
And Outside"
of the H M C
Trio (Jimmy
Halperin -
tenor sax, Don
Messina -
double bass,
and Bill
Chattin -
drums)
recorded live
in concert on
April 21st,
2002. This CD
is a follow-up
and companion
album to the
trio's Cycle
Logical
(CJR1142)
recording from
2001. High And
Outside was
recorded a
year later
when the trio
was performing
often between
2000 and 2004:
this recording
captures
exactly what
they were into
then! H M C
improvises
through
standards;
lines by
Charlie
Parker, Lennie
Tristano,
Warne Marsh,
Lee Konitz,
Ted Brown, as
well as a
Halperin
original. The
entire concert
is included.
Liner notes by
Don Messina
and Jimmy
Halperin;
mastered by
Garry
Rindfuss,
produced by
Bob Rusch; and
dedicated to
Sal Mosca and
Ted Brown. HIGH AND
OUTSIDE IS
AVAILABLE FOR
PURCHASE:
-Through the
band by
emailing mailto:jimmyhalperintriocd@gmail.com
-Direct
through
Cadence Jazz
Records by
emailing mailto:orders@cadencebuilding.com
or phone 315-287-2852.
-Soon on
iTunes and
Amazon "All in
all, this
concert is an
example of the
style we were
able to share
together at
this time. I
am very
pleased to
have been a
part of it."
Jimmy Halperin
2018 October
2019 Jazz
Journal Review
https://jazzjournal.co.uk/ I highly
recommend this
CD to fans of
the music,
styles and
traditions of
the Tristano
School of
Jazz. The
playing is
flowing, loose
and relaxed
yet powerful,
intense and
swinging
with the band
playing
steadily on
all cylinders.
This is about
as perfect a
live
performance as
I've ever
heard. (Seth
Kaplan,
November 1st,
2019)
1st. Nov 2019. Thanks to Warne Marsh musical associates Jimmy Halperin and Skip Scott, entry 80-0823 has been added to the discography: 80-0823 WARNE MARSH QUINTET. 'US Blues’, Roslyn, NY August 23, 1980. Warne Marsh - ts; Jimmy Halperin - ts, ss; Tardo Hammer - p; John Ray - b; Skip Scott -d. 1 IT'S YOU OR NO ONE 7:57 2 BACKGROUND MUSIC 7:55 3 THEY CAN'T TAKE THAT AWAY FROM ME (INC.) 5:02 4 ON GREEN DOLPHIN STREET 7:00 5 ORNITHOLOGY 8:42 6 SOFTLY AS IN A MORNING SUNRISE 10:21 7 APRIL 10:42 8 WILLOW WEEP FOR ME (INC.) 8:56 9 317 EAST 32ND STREET (INC.) 7:24 Recorded at 'US Blues', Roslyn NY - 08/23/1980 by D. Halperin. All of our readers and Warne Marsh enthusiasts throughout the world are encouraged to share their thoughts, memories, experiences, specific performance/recording information etc. for the record so that Warne’s legacy may continue to grow. All help and input to the site is much appreciated.
1st. Nov 2019. An additional item has been added to the Documents page - Reader Bill Schweitzer has provided us with the original Warne Marsh concert program from Mills College Oct.1,1987.
6th. Sept 2018. Reader Bill Schweitzer has shared his reminiscences on THE WARNE MARSH QUARTET in concert for "Jazz In Flight". 'In Flight Dance Studio', 333 Dolores St., San Francisco, Oct. 18, 1987. Discography entry 87-1018 Warne Marsh, ts; Larry Koonse; g; Seward McCain, b; Jim Zimmerman, d. 1 IT’S YOU OR NO ONE 8:58 2 I CRIED FOR YOU 9:08 3 BACKGROUND MUSIC 2:43 4 TIME ON MY HANDS 7:00 5 317 EAST 32ND. STREET 8:12 6 WHAT IS THIS THING CALLED LOVE 6:04 7 GEE BABY, AIN'T I GOOD TO YOU 7:02 8 JOY SPRING 8:43 9 EASY LIVING 5:56 10 AFTER YOU’VE GONE 6:20 11 SONNYMOON FOR TWO 8:01 all PR Recorded by KJAZ and broadcast probably shortly after Marsh's death. A video tape made by a club member exists, but has never been broadcast. See the Global Warne-ing page for Bill’s in depth description. Bill has posted his 1st generation copy of the video tape of the concert to YouTube in five parts as follows: Warne Marsh Live In San Francisco 1987 https://youtu.be/gSgZudpsU1Q Warne Marsh Live In San Francisco 1987 - pt 2 https://youtu.be/qu7fJd6tcVA Warne Marsh Live In San Francisco 1987 - pt 3 https://youtu.be/5u-zNmapixA Warne Marsh Live In San Francisco 1987 - pt 4 https://youtu.be/-gOtXVqscDc Warne Marsh Live In San Francisco 1987 - conclusion https://youtu.be/lgHaBQBQi3E We thank Bill for sharing this wonderful document of Warne performing live as well as his recollections and information provided. All of our readers and Warne Marsh enthusiasts throughout the world are encouraged to share their thoughts, memories, experiences, specific performance/recording information etc. for the record so that Warne’s legacy may continue to grow. All help and input to the site is much appreciated
1st. Sept
2018. Thanks to
reader Kirk
Silsbee, entry
80-0827 has
been added to
the
discography: We thank
Kirk for
sharing his
recollections
and the
information
provided.
31st. July 2018. Thanks to
reader Alan
Matheson,
discography
entry 77-0309
has been
expanded as
follows: L to R - Lee Konitz, as; Bob Murphy, p; Torben Oxbol, b; Warne Marsh, ts; George Ursan, d. We thank Alan for sharing his recollections and tracking down the additional information provided. All of our readers and Warne Marsh enthusiasts throughout the world are encouraged to share their thoughts, memories, experiences, specific performance/recording information etc. for the record so that Warne’s legacy may continue to grow. All help and input to the site is much appreciated
16th.
April 2017. CD
Releases Jimmy’s CD
Jimmy Halperin
with Pål
Nyberg Trio
‘Live at
A-trane -
Berlin’ was
recorded live
in Berlin at
international
jazz club
A-trane on
July 24th and
25th 2016. In
addition to
two of Jimmy’s
original
compositions,
the remaining
performances
feature
original
compositions
by Lennie
Tristano, Lee
Konitz and Ted
Brown. Additional details and purchasing info
for Live at
A-trane -
Berlin can be
found here.
15th. April 2017.
Two
additional
video titles
featuring
Warne Marsh
have been
posted to
YouTube by
John
Klopotowski as
additions to
The Warne
Marsh Quartet
- San
Francisco,
October 18,
1987 "Jazz
In Flight"
concert, 333
Dolores St.
San Francisco,
CA 'It's
You Or No One'
may be viewed
here 'Easy Living' may be viewed here
25th. March 2017.
A new
video
featuring
Warne Marsh
has been
posted to
YouTube
courtesy of
John
Klopotowski,
friend,
student and
musical
collaborator
with Warne
Marsh in the
early 1980's.
Warne Marsh
Quartet - San
Francisco,
October 18,
1987 from
"Jazz In
Flight"
concert, 333
Dolores St.
San Francisco,
CA. 'What
Is This Thing
Called Love'
may be viewed
here 11th.
March 2017. On
Saturday,
March 25, 2017
with sets @ 8
and 9 PM and
admission as
follows - $20
(RSVP in
Advance by
email to
info@mondosummit.com
/
917-969-4534)
$25 at the
Door and $10
Students,
The Kazzrie
Jaxen Trio
featuring Kazzrie
Jaxen (piano,
vocals) along with
Charley
Krachy (tenor
saxophone) and
Sal Mosca
bassist Don
Messina
will be
performing at
the MONDO
Brownstone
Theatre &
Artspace 426
Springfield
Ave, 3rd Floor
Summit, NJ. Additional
details can be
found here 30th.
December 2016. An
additional
item has been added to
the
Documents page -
Down Beat
magazine March
21. 1957
reviewing the
Warne
Marsh-Ted
Brown Quintet
playing at
Bill
Whisling's
Club on Sunset
Boulevard,
Hollywood.
27th.
November 2016.
A
previously
unknown and
unreleased
Warne Marsh
recording with
Art Pepper has
been released
by Laurie
Pepper on her
Unreleased
Art
series. Unreleased
Art: Volume 9
- Art Pepper
& Warne
Marsh At
Donte's, April
26, 1974
has been added
to the Discography
and is written
up in All
About
Jazz. A 3-CD
box featuring
Art Pepper:
alto
saxophone;
Warne Marsh:
tenor
saxophone;
Mark Levine,
Bill Mays:
piano; John
Heard: bass;
Lew Malin:
drums is
available for
purchase at Amazon. Here is
the
Discography
entry: 16th.
November 2016. Update from K.C.
Marsh on
the
documentary
Warne Marsh:
An Improvised
Life Editing Is
In Progress! 9th. October 2016. Two
additional
items have
been added to
the Documents
page 1. Martin Williams' review of Warne Marsh's self-titled Atlantic album [Atlantic 1291] from the January 8, 1959 issue of Down Beat and 2. Mimi Clar's review of Warne Marsh's self-titled Atlantic album [Atlantic 1291] from the February 1959 issue of The Jazz Review
An
additional
item has been added to
the
Documents page -
Translation
from Japanese,
of the liner
notes to the
Personal
Statement
album by Warne
Marsh.
9th. September 2016. Two
additional
items have
been added to
the Documents
page 2. A letter from Warne Marsh to John William Hardy, owner of Revelation Records 8th. September 2016. On Sunday,
September
25th, 2016 @
3:00 P.M.
(Free
admission) Sal
Mosca bassist
Don Messina
along with
Kazzrie Jaxen
(piano,
vocals) and
Charley Krachy
(tenor
saxophone)
will be
performing as
a trio in The
Wellfleet
Public Library
-Presents-
"Sunday
Afternoon
Jazz"
at Wellfleet
Public Library
55 W. Main St.
Wellfleet,
MA 02667 (Tel.
508-349-0310)
Additional
details can be
found here
2nd. June 2016. Jazz journalist Marc Meyers, via his JazzWax blog has given us an interesting history on Clifford Brown's composition, Daahoud which was recorded twice by Warne Marsh in 1957. Once for the album "The Right Combination" with Joe Albany and again with Albany in a live performance from the Galleon Room in Dana Point, California on October 7, 1957 and issued as "The Warne Marsh Quartet Featuring Joe Albany: Live at Dana Point, 1957". The live performance is the highlight of the blog post which may be viewed here. Included are YouTube links to Warne's live performance along with two studio versions recorded by Clifford Brown. 3rd. May 2016. John Klopotowski, Warne Marsh student and musical collaborator in the early 80's, has opened his personal, largely music based web page. Page location is here 19th. April 2016. An additional item has been added to the Documents page - A presentation on James Harrod's Stars of Jazz webpage featuring the Warne Marsh Quintet on the KABC-TV Stars of Jazz - March 11, 1957 television broadcast. 1st. April 2016. Two
additional
items have
been added to
the Documents
page 2. Warne Marsh Obituary from Mike Hennessy - Downbeat
I've
opened a new
Documents page
to either
link or host
the many interesting
articles,
blog postings
and write ups
on Warne Marsh
out on the
internet. Page
location
is here Seth Kaplan 13th February 2016 3rd.
January 2016. 4th. December 2015. Sal Mosca’s family has released the second of two multiple CD issues in 2015 both featuring solo performances by Sal recorded on two separate tours of The Netherlands from 1992 and 1981 respectively. The 1992 release is titled "Sal Mosca: The Talk of the Town; Live at the Bimhuis" (2-CD set; Sunnyside Records SSC1317) The 1981 release is titled "Sal Mosca: Too Marvelous for Words; June 1981, Five Concerts from The Netherlands" (5-CD set Cadence Jazz Records 1248 - 1252). Both CD sets are available here at the Sal Mosca Website 3rd. December 2015. A note
from Jack
Goodwin
7th. July
2015. 23rd. June
2015. A while
ago, realising
I wasn't
getting any
younger, I
decided I had
to find a
resting place
for all the CD's,
cassettes,
photos,
paperwork etc.
etc. I'd
collected over
the past many
years on
tenorist Warne
Marsh. I
wanted to keep
everything
together but
available for
anyone
interested to
refer or
listen to and
I began
sounding out
various
options. To
cut a long
story short, I
have now
donated the
archive in its
entirety to
The Los
Angeles Jazz
Institute at
Long Beach
California. It
will be housed
at the Music
Department of
the California
State
University and
as intended,
will be
available to
visitors
wishing to
listen or
study. The Los
Angeles Jazz
Institute
seemed to me
to be the
natural place
for the
collection as
Los Angeles
was where
Warne was born
and where he
died. JACK GOODWIN DONATES THE WARNE MARSH COLLECTION TO THE LOS ANGELES JAZZ INSTITUTE The
Warne Marsh
Collection,
remarkably
extensive
archives of
previously
unreleased
recordings by
the great
tenor-saxophonist,
has been
donated to the
Los Angeles
Jazz Institute
by Jack
Goodwin. The
collection
documents over
200 different
live and
studio
sessions that
have not been
heard since
they were
originally
performed. The Los Angeles Jazz Institute, under the direction of Ken Poston, is the home for the personal collections of such major jazz artists as Howard Rumsey, Shorty Rogers, Gerry Mulligan, Art Pepper, Bud Shank, Bob Cooper, June Christy, and Pete Rugolo among others. Jack Goodwin’s Warne Marsh Collection is a major acquisition for the Institute. Jack Goodwin’s priceless recordings add immeasurably to the saxophonist’s musical legacy. Los Angeles Jazz Institute is here: www.lajazzinstitute.org/ You can see the list of recordings donated here and I would again thank all those who have given me so many recordings of Warne Marsh over the years. 2nd. June
2015. 12th.
November 2014. 12th.
November 2014. 22nd.
October 2014. 28th.
August 2014. 15th.
August 2014. 8th.
August 2014. 5th. June
2014. Thanks to Geraldyne Marsh and Lenny Popkin for this correction. 17th.
January 2014. Thanks to Ken Poston, director of the Los Angeles Jazz Institute, for this information. October 16th. 2013. Hello
Mr. Goodwin,
My name is
John
Petrucelli and
I am a Ph.D.
student at the
University of
Pittsburgh. I
wanted to let
you know that
my Master's
thesis Motivic
and Harmonic
Analysis of
Warne Marsh:
The Unissued
Copenhagen
Studio
Recordings, is
available for
download on
the Rutgers
electronic
dissertation
page (with a
citation to
your
Discography).
In compiling
this research,
I consulted
John
Klopotowski,
Ted Brown, and
K.C. Marsh,
and was
advised by
Drs. Lewis
Porter and
Henry Martin.
Here is
the
link- http://rucore.libraries.rutgers.edu/rutgers-lib/40436/
I was
wondering if
you would
include it in
some way on
the Warne
Marsh
Information
page?
Also, there is a transcription book for sale- Concert
version- http://www.amazon.com/Warne-Marsh-Copenhagen-Transcriptions-Instruments/dp/0989642496/ref=sr_1_38?ie=UTF8&qid=1381938430&sr=8-38&keywords=warne+marsh
Hope to
be able to
contribute in
some way!
Looking
forward to
hearing from
you.
Sincerely, John
Petrucelli
27th. June
2013. 5th. June
2013. 5th. June
2013. 10th. May
2013. 3rd. February 2013.
Hello world...
I just wanted
to let
everyone know
that I am now
accepting
students who
are
interested in
jazz
improvisation.
My lessons are
online, using
Skype,
which will allow us to see and hear each other over the Internet.
Also, using
PayPal, the
conversion of
currencies
from other
countries to
US Dollars
is easier
than I
thought. In
fact I now
have a student
in Italy!
So if you know
anyone who
might be
interested
please refer
them to my
website.
Thanks,
Ted
25th.
January 2013. 25th.
November 2012. 26th. July
2012. 5th. July
2012. 5th. July
2012. 6th. April
2012. 28th.
March 2012. This is a collection of tracks from various dates and features eight tracks which include Warne Marsh in the personnel. See discography for details. Note: Fresh Sound repeat the incorrect date of June 15th. 1955 for the single track "Ronnie's Line" whereas the correct date is June 21. 1955. 19th.
February 2012. 15th.
February 2012. 15th.
January 2012. 19th.
December 2011. 16th.
November 2011. 26th.
October 2011. 27th. June
2011. Newly
released Warne
Marsh CD. The second half of 1956 was a fertile time for the ex-Tristano students based in the Los Angeles area of California. Warne Marsh, Ted Brown, Ronnie Ball and Jeff Morton had arrived individually over a relatively short period and together with Ben Tucker on bass, had formed a group which recorded several times during this period. “Jazz of Two Cities”, “The Way It Was”, and “Free Wheeling” are studio recordings showing the cohesive swing this group had developed and all these titles have been issued and reissued over the years. This latest release, however, was recorded live in February 1957 at Bill Whisling’s Modern Jazz Room on Sunset Boulevard. Ronnie Ball took along a small, but heavy, Webco tape deck and fastened the mike for the recorder to the single house mike. The reels of tape used were small and had to be constantly changed and the single mike didn’t make for a balanced recording. But the music shows the enthusiasm and drive of the group which, at this stage Warne Marsh thought “ was sounding the way we want it to.” Despite the lack of balance, there is sufficient quality present to show this quite amazing group in full flight. This is the only live recording that exists of the group, and Marshmallow Records is to be congratulated in making this rare recording available. The CD is available from Eastwind in Los Angeles and Cat Fish in Fukuoka, Japan both of whom accept payment by PayPal. Other distributors are being sought. It is worth mentioning that Ted Brown is still actively playing in the New York area and Ben Tucker still plays around his home town of Savannah, Georgia. 4th. June
2011 12th
February 2011. 28th. January 2011. Ted Brown, a name well known to most visitors to this site, was invited by Marshmallow Records owner Mitsuo Johfu to visit Japan in late 2009 to play as a featured guest with the Yoichi Hirai Group and the Gene DiNovi Trio at concerts in Tokyo and Yokohama. Ted arrived on October 24th. and almost immediately began rehearsals with the Hirai Group which consists of alto, tenor, piano, two basses and drums and led by guitarist Yoichi Hirai. This is a group which has diligently transcribed many of the compositions of Lennie Tristano, Lee Konitz, Warne Marsh and Ted himself and has achieved a sound and style very much akin to the classic Tristano Sextet. Ted and this group played a concert at the Pit Inn, Tokyo on October 27th. and Mitsuo Johfu was there to record it. This recording has now been issued on Marshmallow Records “Ted Brown – Live at Pit Inn, Tokyo with Yoichi Hirai Group” MMEX-137-CD. Ted plays well and is ably supported by the Hirai Group. The track titles are well known lines such as Bird’s “Big Foot” and “Yardbird Suite” and Ted’s own “Dig It” and “Jazz Of Two Cities”. Ted must have enjoyed playing with this quite remarkable group as the CD is very satisfying to listen to. On October 30th. Ted moved on to Yokohama to play with the Gene DiNovi Trio (Gene on piano, Neil Swainson, bass and Ernesto Cervini, drums) at the Sugita Theatre. The concert was also recorded and the resulting CD - which is a limited edition of 999 copies - is a joy. Ted is instantly recognisable from his very personal tone and copious free flowing ideas, no clichés, no licks. The details : “Ted Brown + Gene DiNovi - Live in Yokohama” Marshmallow Records MMEX-145-CD. 5th.
November 2010. Alteration
to
discography. 13th
October 2010. 4th October 2010. A PREVIOUSLY UNISSUED RECORDING BY WARNE MARSH. Warne
Marsh
Trio.
“New York City
Live” –
Riverworks
Records. This 2CD set brings together two old friends. Keith “Red” Mitchell and Warne Marsh first met when both were in the army in 1946, with Red playing piano at that time. They first recorded together in September 1957 in Los Angeles and this was released as “Music for Prancing” on the Mode label. However in 1980 they played and toured together both in New York and Europe. Firstly, they played a concert at Alice Tully Hall, Lincoln Center, NYC sponsored by the Lennie Tristano Foundation, then moved on to Norway where they recorded with Karin Krog, and made a radio broadcast the following day. Next stop was Stockholm where they played and broadcast several times. Concerts at the Fasching Club, Stockholm were recorded and subsequently tracks were released by Storyville Records under the title “The Big Two” - Volumes 1 & 2. Returning to New York, they played a week at Sweet Basil on Seventh Avenue, and tracks recorded at this venue have been released on Fresh Sound Records. This set of two CD’s recorded live in New York, have a total of fifteen tracks and give a playing time of about ninety minutes. They capture both Warne and Red at their peak. Warne is instantly recognisable and plays some gloriously inventive solos. Red’s sonorous and always perfectly pitched sound blends perfectly with Warne and it is as though they are communicating telepathically, they integrate so well. Drummer Pete Scattaretico studied with Lennie Tristano and played regularly with Warne Marsh from 1979. He plays with drive and perfect taste and the Trio members are obviously listening to each other and appreciating the result. This music is pure jazz improvisation of the highest quality and I cannot recommend this CD issue enough. Pete Scattaretico has put in a lot of work in producing these CD’s and is to be congratulated in putting together an excellent package. The sound quality is excellent, and the liner notes and graphics compliment the whole thing. These CD’s will soon be available from the usual sources at around $22.00 but you can enquire about their availability from Pete at www.peterscattaretico.com 19 April
2010. 22nd.
March 2010. 12th.
January 2010. 2nd.
December 2009. 18th
November 2009. 12th. August 2009. I've recently added a photograph of Warne Marsh with Tal Farlow to the Photo Gallery on this site. It was taken at the Silver Screen Room of the Hyatt Hotel, on Sunset Boulevard, West Hollywood, California on September 15th, 1984 by the photographer Joel Mark - http://www.joelmark.com - to illustrate an article written for the L.A. Reader, a weekly paper for the Los Angeles area. Many thanks to Joel. 22nd.
March 2009. http://davidvaldez.blogspot.com/2007/05/warne-marsh-plays-abersold.html The tracks David refers to were recorded by Warne himself as he improvised to the pre-recorded accompaniment of the Jamey Aebersold play-along LP "All Bird". Gary Foster can remember playing with Warne and this recording around late 1977. 30th.
January 2009. 19th.
October 2008. 6th.
October 2008.
29th.
September
2008. 27th.
August 2008. 14th.
August 2008. 22nd. July
2008. 28th. June
2008. 19th. May
2008. 14th.
April 2008. 7th. April
2008. 22nd.
December 2007. 23 October
2007. 22
September 2007 Reviewed by Jack Goodwin This is quite a unique biography. It is composed of conversations, in question and answer form, that Andy Hamilton has had with Lee Konitz over the past eight years and is published just as Konitz approaches his 80th. birthday in October. Lee talks at length about his apprenticeship with Lennie Tristano, his playing with Warne Marsh, Miles Davis, Stan Kenton, etc., and more recently, his continuing tours around the world as featured soloist with other jazz musicians. Konitz has the desire, and the ability, to play pure improvised jazz music, without clichés, licks and quotes and throughout the book, his honest approach to music and improvising comes across. His recorded output is quite vast and despite his uncompromising attitude, he has managed to make a living for over sixty years playing jazz. Visitors to this site will be interested to read the extensive comments he makes about Warne Marsh. As an example: “When I think of Warne Marsh, I think of the definitive creative player, no theatricality, no showboating, just a true musical improviser. It’s a true unexaggerated voice, that’s what’s so sophisticated about it – without the “bleating” and overblowing that many saxophone players seem obliged to do.” Included are many valuable interviews with other musicians commenting on how they feel about Konitz, and also several pages of photographs which span the life of Lee Konitz and which, generally, are previously unseen. This is an excellent book, and Andy Hamilton is to be congratulated in producing something which probably Lee, himself, would never have contemplated writing, and it is unreservedly recommended. 3rd.
September 2007 29th.
July 2007 23rd. July
2007 15th. June
2007 6th. March
2007 19th.
February 2007 12th.
November 2006. 6th.
November 2006. 20th. October 2006. I’ve been asked several times in the recent past if there is a source for any transcriptions of the lines recorded by Warne Marsh. The late Billy Bauer published several transcriptions of lines by Lennie Tristano, Warne Marsh and Lee Konitz and his son, Bill Bauer, is continuing to make these available. Anyone interested can email him at billybauer121@yahoo.com 12th.
October 2006. 6th.
September
2006. 21st.
August 2006. 16th.
August 2006. 7th.
August 2006. 6th.
August 2006. Amazing what you can find on this Internet thing... I discovered a CD which has been issued by Lone Hill Jazz in Spain which is called: "The Complete Free Wheeling Sessions" Art Pepper & Ted Brown - featuring Warne Marsh Lone Hill Jazz - LHJ10236 It is supposedly the 50th anniversary of a "marathon studio date" which took place on November 26, 1956 and produced these two albums: 1) "Free Wheeling" Ted Brown, Warne Marsh, Art Pepper, Ronnie Ball, Ben Tucker, Jeff Morton 2) "The Way It Was" Art Pepper, Warne Marsh, Ronnie Ball, Ben Tucker, Gary Frommer It says the personnel is the same on both albums...except on the second one Ted Brown is removed from the front line and Jeff Morton is replaced by Gary Frommer. "Free Wheeling" was actually recorded on December 21, 1956 and "The Way It Was" was recorded November 26, 1956. That is quite a "marathon studio date." Also each date contains the tune "Avalon" which is rather odd if both were done the same day. I know it was a Friday afternoon that we did "Free Wheeling"...because we had to go to work that night at Whistlings. Try that after doing TWO record dates that day. This "fake" record marathon is only one CD. Their liner notes say that due to lack of space they were only able to include the MASTER takes from "The Way It Was." So from that date there are only 7 tracks on this new disc. They are making up a whole new story that both these record dates were done in one long marathon session on November 26, 1956. That is the premise of this new CD which they call "The COMPLETE Free Wheeling Sessions" because they stress the point that they were both done the same day....not that they are COMPLETE because they contain all the takes. If they were to correct those dates they would have to take this CD off the market because they are advertising it as a marathon session...and are calling that marathon The Free Wheeling Sessions. But the weirdest thing is they used the same stupid cover with the wolf mask that was on the original "Free Wheeling" but now it is called "The Complete Free Wheeling Sessions" and is listed under Art Pepper. How is that for a discography problem? There ain't no business like the record business!! Best regards, Ted 27th. June
2006. "NE PLUS
ULTRA" 5th. October 2005. JAZZ
VISIONS The
above 192 page
book was
published by
Equinox Books
on 24th.
October at
£16.99/$29.95. 16th.
September
2004.
Amendment to
discography:
59-0217/24
Lee
Konitz - Warne
Marsh Quintet
at the Half
Note,
NYC. 15th.
August
2004. 31st.
March
2004. CD
review 22nd. March 2004. Further to the item dated 1st. March below regarding the proposed reissue of the Nessa Records "All Music" session. This CD is now available and I show below latest information from Chuck Nessa: cnessa@earthlink.net The price is $15. We accept checks, money orders, cash, MasterCard and Visa. The address is: Nessa Records PO Box 394, Whitehall, MI 49461, USA Thanks, Chuck The new release is on a single CD and the disc should arrive here in 2 weeks. Excluded are (not including incomplete performances) alternates of everything on the LP with three exceptions. "A Time For Love" was attempted something like seven times, "Subconscious-Lee" was done only once (right at the end of the recording of that tune Warne told me "That's the best I ever played that tune") and "I Have A Good One For You" (you get every scrap of that one). To respond to a question about a possible two disc version mentioned in Safford Chamberlain's book - after listening for over a year to all the tapes I decided I could get the "meat" onto one disc and a single disc would sell better than a set. The CD includes a note from me about this and I will post it below, as well as the tracks and times. Before the sessions Warne told me he would record one tune each by Lennie Tristano, Lee Konitz and himself from his New York days. He also said they would do a ballad, a blues and Lou had a tune ("Lunarcy"). Lastly, he was working on the changes of "It’s You Or No One" and wanted to record it too. He said “I have a good one for you”. Lou asked me to rent an electric piano because he wished to use it for a recording of Johnny Mandel’s "A Time For Love". The electric piano turned out to be defective and generated random static on all takes. We performed a salvage job on one of them for this issue, but some noise remains. We have included the initial take of "On Purpose" (complete with a shaky ending) to show the transformation from first to final version. On the first day of recording we started with a performance of "Lunarcy" and then Warne launched into a series of takes of his “good one”. We have included all versions of this piece at the end of the disc so you can loop back to the final master (track 1). "I Have A Good One For You" was the first piece recorded on the second day in the studio. They nailed that one. TRACK LISTING (the first 7 tracks are the LP sequence) 1 I
Have A Good
One For You
(take 13) 5:29 I forgot to add: Tracks 9-14 recorded on Friday, Feb 20 and the rest on Feb 21 1976. |